PSI has been involved with the event every year, seeing it grow steadily since its inauguration in 2008. This year the promotion was a collaboration between Shine Productions and MCD. The 6000 capacity outdoor concerts were all a huge success despite the unpredictable Northern Irish weather at this time of year.
PSI's Sean Pagel created a production design that covered the requirements of all 8 headlining acts - Kasabian, Paolo Nuttini, Florence & The Machine, the Stereophonics, Soulwax/2 Many DJs, Paul Weller, Biffy Clyro with special guests The Lost Prophets, and David Guetta, who brought the 8 shows over 2 weeks to a tumultuous close with an amazing high energy set that rocked the city. All of these brought their own LDs who supplied basic specs to Pagel in advance.
The stage measured about 12 x 12 metres with 6.5 metres headroom, so not a massive space for the calibre of the bands appearing. The biggest creative challenge for Pagel was "delivering a lighting rig that would cater for 8 world class acts, covering their essentials, whilst allowing them enough options to each create an individual and different looking show".
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One of the biggest locational issues was the noise restrictions on site after 11 p.m. - as it is also a residential district - necessitating some very stealthy and quietly worked changeovers.
The roof also had limited weight loading, and trusses had to be hung in specific positions from the main roof supports - so this had to be worked around in the design.
Pagel and his team installed 3 overhead lighting trusses, a rag truss upstage for the backdrop and a 'reveal' truss midstage, which was also utilised for hanging screens. He chose to use Robe moving lights throughout - for their power and reliability, especially in challenging environmental conditions.
The back lighting truss was rigged with 6 x Robe ColorSpot 700E ATs and 6 x ColorWash 700E ATs, and 3 Martin Atomic strobes.
Downstage of this was the 'reveal' truss, complete with tab track, which could be rigged with a drape to go behind the opening acts if this was practical, and it also proved a handy rigging position for the screens brought in by 2 Many DJs and David Guetta.
The middle lighting truss contained 8 ColorSpot 700E ATs and 6 ColorWash 700E ATs, 4 Atomics and 10 x 2-cell Moles which were pointed into the audience.
On the front truss were 10 Robe ColorWash 250E ATs, chosen for their compact size, and used for stage and band washes and general illumination, and also as band 'specials'. There was another 3 Atomics on this truss, along with four 8-cell Moles, attached to the audience facing rail.
Also directed at the audience, were 10 x 4-lite Moles rigged to the stage legs and PA towers.
To offer more variety and flexibility for each band's show, PSI made a floor specials package available to all headliners, consisting of 6 ColorSpot 700E ATs, 8 ColorWash 700E ATs and 4 Atomics. Various combinations of these were used by some of the artists and 2 Many DJs brought in their own floor package.
PSI also supplied extras for Biffy Clyro and David Guetta.
(GK/KMcA)
